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Alma-Tadema |
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Boucher, François |
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Bouguereau |
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Breton, Jules |
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Bronzino, Agnolo |
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Burne-Jones |
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Canaletto |
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Caravaggio |
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Cassatt, Mary |
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Clausen, George |
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Cowper, Frank |
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Delacroix, Eugene |
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Dicksee, Frank |
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Gérôme, Jean-Léon |
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Godward, John |
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Hughes, Arthur |
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Hunt, Holman |
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Klimt, Gustav |
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Kroyer, Peter |
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Leighton, Frederic |
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Marino Vasallo |
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Millais, John |
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Millet, Francois |
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Moore, Albert |
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Poynter, Edward |
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Rembrandt |
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Renoir, Auguste |
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Rosseti, Gabriel |
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Sargent, Singer |
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Tissot, James |
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Tuke, Henry |
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Vasallo |
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Velazquez, Diego |
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Waterhouse, John |
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The
greatest work of the early 15th
Century Flemish artists, Hubert
and Jan Van Eyck, and that on
which their fame will eternally
rest, is an altar piece, found
in the cathedral church of Ghent,
Belgium, having for its subject
"The Worship of the Mystic Lamb,"
taken from the imagery in the
book of the Revelation.
This
wonderful picture was the
work of over seven years;
Hubert, the elder of the brothers,
died before it was completed,
leaving the larger portion
of it to be finished by his
younger brother Jan. Of the
two, Hubert was the better
painter, his coloring is more
profound and his knowledge
of the human figure more perfect;
but if he exceeded his brother,
it is only as if one compared
two brilliant stars together.
The beginnings of oil painting
are recorded as early as the
twelfth century in Northern
Europe. But it was the virtuoso
handling of the medium on
panel by early Netherlandish
painters such as Jan van Eyck
and Rogier van der Weyden
in the fifteenth century that
represented a turning point
in its eventual adoption as
the major painting medium
in Europe in the sixteenth
century. By then, Jan van
Eyck had been incorrectly
credited with the "invention"
of oil painting.
However,
we may take it as a rule that unless an
early Flemish work is perfect in all its
parts, it cannot have been painted by
Jan Van Eyck, or by Hubert, his brother.
One must attribute this to their extreme
conscientiousness, their careful study
of things as they are. It was their wish
to do their very best at all times with
whatever they had undertaken to do. The
latter is a philosophy we share with the
Van Eyck brothers and because of our devotion
to perfection and detail we were commissioned
by a well known Spanish digital artist,
Jose, to recreate the center panels of
the Ghent Alter Piece to grace his beautiful
and very stylish apartment in Madrid.
Jose had already commissioned several
pieces from us, including several of his
favorite John Waterhouse paintings including
the magnificent St. Cecilia. With his
permission we proudly first show you our
reproduction of the Ghent Altarpiece center
panels and a few photos of this stunning
piece in-situ in Jose's apartment, and
finally Jose and his family, just because
his daughter is so cute! Click
here for a closer look at our reproduction
of the Ghent Altarpiece.
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